So begins Hans Belting’s brilliant, iconoclastic reconsideration of } With Art History after Modernism, Belting retains his place as one of the most original. Art history after modernism / Hans Belting ; translated by Caroline Saltzwedel and Mitch Cohen, with additional translation by Kenneth Northcott Belting, Hans. Art History after Modernism, by Hans Belting. Translated by Caroline Saltzwedel with Kenneth Northcott. Chicago, November $65 cloth, $ paper.

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Read, highlight, and take notes, across web, tablet, and phone. Account Options Sign in. So begins Hans Belting’s brilliant, iconoclastic reconsideration of art and art history at the My library Help Advanced Book Search.

University of Chicago Press Amazon. Art History After Modernism. University of Chicago Press- Art – pages. So begins Hans Belting’s brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art? Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach hns thinking and writing about art.


He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to moderniam history’s definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history.

Forty-eight histoory and white images illustrate the text, perfectly reflecting the state of contemporary art.

With Art History after ModernismBelting retains his place as one of the most original thinkers working in the visual arts today. User Review – Flag as inappropriate search raphael.

Art History after Modernism, Belting, Saltzwedel, Cohen

Selected pages Title Page. Contents Epilogues belring Art or for Art History? Art Criticism versus Art History. Documenta and Western Art. East and West at the Watershed of Art History. A New Geography of Art History.

The End of Art History? Art and the Crisis of Modernism.


Art Historiography as Tradition. Methods and Games of an Academic Discipline. Work of Art or History of Art?

Art History versus Media Studies. Arts Revolt against Art History. The Temporality of Video Art. The University of Chicago Press,esp. Page – Uwe M.

Art History after Modernism

Kommentiertes Werkverzeichnis mit fotografischen Dokumentationen. Stuttgartdort insbesondere S. Page – Arthur C. Danto, Encounters and Reflections: Art in the Historical Present New York. Danto, The Transfiguration of the Common Place: A Philosophy of Art Cambridge, Mass.

Page – Kunstgeschichte als Institution. Feyerabend in der Kunstgeschichte. He is the author of a number of books, including The End of the History of Art? Epilogues for Art or for Art History?