1 ReviewWrite review? id=LIm3AAAACAAJ. Wolna kultura. By Lawrence Lessig. About this book. 15 Lawrence Lessig, Wolna Kultura [Free Culture] (Wydawnictwa Szkolne i Pedagogiczne, Warszawa, ), p. 16 See Creative Commons, Choose a . book by Lawrence Lessig. Lawrence Lessig. 2 references. imported from Wikimedia project · Portuguese Wikipedia · imported from Wikimedia project.
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Wolna kultura – Lawrence Lessig – Google Books
Therefore, the sphere of informal communication is interfering with the official discourse—to the detriment of privacy. By using the Infona portal the user accepts automatic saving and using this information for portal operation purposes. January 31,URL: Authorship is thus the power of sharing knowledge, not keeping the position of authority. The problem is that people need to rebuild their understanding of the social contract. The property right that is copyright is no longer the balanced right that it was, or was intended to be.
It is not simply a digital library or museum—the logic of this storage is different from the traditional one. This phenomenon, in which social portals are playing the most important role, is called the Web 2.
A thing gains more meaning by having multiple local meanings. Two days later, most of the book had been narrated. Today the dream of Ted Nelson, the inventor of hypertext, is beginning to lawrencee at last Nelson The Net, founded as a space of open exchange of data rapidly became the space of overuse of the freedom.
However, such Wikis are not available for external users. However, the analysis lwarence informal narrations on the Web enables us to treat this platitude of understanding the medium as a serious misinterpretation.
What is also important, in this kind of interaction artistic and lessiy goals are gained as the transmission of senses and creating of the social construct is accelerating. The predominant objective of the anthropology of new media, a specific and rather new research area, is to indicate and analyze social interactions on the Web and its various cultural implications. LessigCreative Commons fundaments can be found in the concept that each artistic creation can be free or open to remix if its author allows other people to do this CC website.
Assign yourself or invite other person as author. Moreover, Internet Archive with its Wayback Machine gathers past memories of the Web—old versions of web pages, kutura search engines etc. A page is what it oessig to. This is a kind of Web meta-reflection concentrated on searching the directions of development of the socially constructed discourse on the Web.
Collaborating with institutions including the Library of Congress and the Smithsonian, we are working to preserve a record for generations to come.
Free Culture ‘s message is different, Lessig writes, because it is “about the consequence of the Internet to a lawrencf of our tradition that is much more fundamental, and, as hard as this is for a geek-wanna-be to admit, much more important. Assign to other user Search user Invite.
Bound with them are metaphors outside of law. The early individualism of the Web is now replaced with social activities on various levels. Keywords kulturoznawstwo prawo kulturoznawstwo prawo. Kuptura serves as well to construct bases of knowledge by groups of experts.
Sign In Don’t have an account? Retrieved from ” http: No Cost of Freedom?
Turn it on to take full advantage of this site, then refresh the page. Wikipedia is both the product and the process. The Information Technology Revolution in Architecture. Creative Commons lets artists leave mediators and distribute the art directly to the audience.
Economy, Society, and Culture. In his afterword he suggests that free software pioneer Richard Stallman and the Free Software Foundation model of making content available is not against the capitalist approach that has allowed such corporate models as Westlaw and LexisNexis to have subscribers to pay for materials that are essentially in the public domain but with underlying licenses like those created by his kulturq Creative Commons.
He also argues for the creation of shorter renewable periods of copyright and a limitation on derivative rights, such as limiting a publisher’s ability to stop the publication of copies of an author’s book on the internet for non-commercial purposes or create a compulsory licensing scheme to ensure that creators obtain direct royalties for their works based upon their usage statistics and some kind of taxation scheme leasig as suggested by professor William Fisher of Harvard Law School  that is similar to a longstanding proposal of Richard Stallman.